Thursday, April 28, 2016

London Premiere of Immobilité

After being exhibited in museums around the world, my first feature-length "foreign film," Immobilité, is finally having its UK premiere in London on May 11. 2016. The film will be screened at the Regent Street Cinema. The Regent Street Cinema has a great heritage:

On 20 February 1896, the Polytechnic’s theatre became the birthplace of cinema in the UK, when the Lumière brothers’ Cinématographe machine was demonstrated to the press and these earliest of moving images given their first presentation to a paying audience the following day. The Lumière brothers’ show had first been seen by the public in Paris on 28 December 1895 and after London continued its tour to New York, Bombay and Buenos Aires.

Here's a sample from the press release from my sponsors at the University of Westminster:

Institute for Modern and Contemporary Culture at the University of Westminster is delighted to announce a UK premiere of Mark Amerika’s work of early mobile phone video art, Immobilité.

Released in 2009, Mark Amerika's Immobilité appropriates the stylistic tendencies of the "feature-length foreign film." The artwork introduces the creative use of subtitles that double as a literary text depicting a future world where the dream of living in utopia can only be sustained by a nomadic tribe of artists and intellectuals living on the edge of apocalypse.

According to Amerika, "Immobilité mashes up the language of auteur-driven 'foreign films' with a more amateur video vernacular we now associate with social media platforms like YouTube and Vine." By experimenting with a low-tech glitch aesthetic associated with pre-HD mobile phone video recording technology as well as more sophisticated forms of motion picture narrative found in European art-house movies, Amerika makes an attempt at interrogating the question: "What is the future of cinema?"

Shot entirely on a Nokia N95 mobile phone in 2007 (before the release of the iPhone), Immobilité was filmed on location in the Cornwall region of England and received support from the University of Falmouth iRES research group, Tate Media, and the University of Colorado Innovative Seed Grant. Solo exhibitions of Immobilité have taken place at the Denver Art Museum, the National Museum of Contemporary Art in Athens, and the Chelsea Art Museum.

You can register for tickets at Eventbrite.

For those who are unable to attend, you can always (re)read my e-book, The Postproduction of Presence: A Director's Notebook.

Thursday, December 17, 2015

Glitch Ontology (A Limited Edition Artist Book)


It gives me great pleasure to announce the launch of Glitch Ontology, a custom-made, limited edition artist book co-produced with the Upfor Gallery and fabricated in collaboration with Publication Studio.

[If you want to skip right to the book site, click here]

Lucky for me, both Theo Downes-Le Guin, Director of Upfor, and Antonia Pinter at Publication Studio, operate in my neighborhood in Portland, a wonderful city where I have spent the last seven summers. Co-producing the book with Upfor has been a pleasure. I have always been impressed with the exhibition schedule that Theo curates in the gallery, particularly the adventurous new media, net art, and video work produced by the artists they feature. I've seen groundbreaking videos, net art and gorgeous (even when conceptual) print work exhibited by Frances Stark, Ryan Trecartin, Katie Torn, Brenna Murphy and Birch Cooper, Jack Featherly,and a fantastic group show curated by Roddy Schrock of Eyebeam.

My time in Portland is always super-productive: I've created a lot of new art including Museum of Glitch Aesthetics, Crapshoot and the series of short glitch videos I premiered at the Denver International Airport. Portland has also been the perfect environment for my writing to evolve in. I spent a lot of time in Portland's world-class coffee shops working on both remixthebook and Locus Solus: An Inappropriate Translation Composed in a 21st Century Manner...and have also started and/or finished four more books too.

For those who follow my work, you know that I've published over ten books of fiction or new media theory, all of which are still in print. A few of these books are available for free as e-books too. My early online publishing network, Alt-X, founded in 1993, was one of the first serious literary websites to launch both an e-book and print-on-demand book series. Publications like the New York Times, Wired and Spin - to just name a few - wrote about our various product launches.

Anyone who knows how I roll knows that I have always been open to the idea of experimenting with both the form of the book (think Mallarmé) as well as its distribution potential. The same holds true with Glitch Ontology. You can read it for free via a link at the Upfor website, but given this particular artwork's focus on glitch images and the book as art object, why not own a rare Mark Amerika artist book?



Keywords: Mark Amerika, Upfor, Publication Studio, artist book, Glitch Ontology



Saturday, October 17, 2015

A New PhD Program in Intermedia Art, Writing and Performance

Here's another new thing that I am involved with:

The Intermedia Art, Writing and Performance (IAWP) unit is an interdisciplinary digital arts and humanities research unit with a practice-based PhD. Core faculty collaboratively investigate past and present forms of digital art, writing, and performance and offer graduate students a hands-on, experiential-based learning environment in which to explore emerging forms of creativity triggered by practice-based research methodologies.

The research conducted in the program reflects the rapidly transforming knowledge systems and digital media economies emerging from the substantial technological shifts currently taking place in our society. Digital creative work and critical media literacy play a defining role in our information society and are transforming all aspects of contemporary life, including the way many professional visual artists, multimedia performers, writers, publishers, digital humanists and archivists pursue their practice.


More here [...]


Friday, September 04, 2015

Most Popular Post

It's been almost nine years since I started this blog and yes, like most bloggers from the Naughties, I have slowed down my posting considerably (though I did manage to to turn the blogs into two books).

Checking out my stats for the first time in years, I see that this post, titled Snapshot of New York (Still-Life or Time-Trip?), was my most viewed post of all time. It refers to something that I now call Internet photography (or, when I'm feeling especially wordy, digital thoughtography). I'll let you see for yourself...


Thursday, September 03, 2015

ICYMI Part Two

1. Micro-Cinematic Essays on the Life and Times of Marcel Duchamp dba Conceptual Parts, Ink (a concept album on conceptual art, specifically an attempt to remix the notes found inside Duchamp's Green Box as sound art - co-created with Chad Mossholder)

2. an excerpt from 29 Inches: A Long Narrative Poem (thank you Ed Dorn, William Carlos Williams and Madeline Gins)

3. Play all the Remixes (tastes from my remixthebook project as performed by over 25 artists, musicians, theorists, poets, net artists et al)

4. The remixthebook course seems to be attracting a lot of external links from various syllabi too

5. Oh, the book, you can remix too!

Wednesday, September 02, 2015

ICYMI: A Sampling

1. My interview with Creators Project about glitch art, net art, and the Spy State Economy

2. Lake Como Remix (yes, you should wear headphones and view at full screen)

3. Crapshoot (you can't do e-lit without at least attempting to remix this classic work by Mallarmé...so why not a web app?)

4. Locus Solus (the centenary translation from the original French - and I don't even speak the language, so imagine how it reads!)

5. My new day job




Keywords: Mark Amerika, glitch, web apps, Locus Solus, Roussel, CMCI, IAWP

Thursday, July 16, 2015

Wasted (for Charles Baudelaire)

Wasted
(for Charles Baudelaire)

One must be forever stoned: that is the sole reason for living. If you wish to move beyond the inevitable feelings you generally associate with the horrible burden of Time as it bruises your body and bends you toward the soil beneath the earth, you must be stoned without cease. But how? With weed, with prose poems, with irreparable desire, with what you please. But be high. And if sometimes, on the steps of a recreational dispensary, or on the perfectly manicured green grass in a popular city park that's easy to score the bud you desire, or even in the dull loneliness of your studio where you lack the necessary inspiration to trigger your ineluctable new work of art, you wonder why it has all come to this, an attempt to alter the faux representation of what has been handed to you as real, you should confidently approach the fragmented chip of potent wax that awaits your vapor torch and, without a moment's hesitation, wake up to your vibrant surroundings and inhale the centuries. If, after a time, your total wastedness should already be waning or gone, ask of the wind, of the wave, of the cloud, of the star, of the kiteboard, of the iWatch; ask of all that scurries, all that sighs, all that floats, all that spins, all that screams, all that articulates, ask of these the hour; and wind and wave and cloud and star and kiteboard and watch will answer you: "It is the hour to be baked! Lest you be the martyred slave of Time, you must totally cook yourself, so be stoned without cease! With weed, with prose poems, with irreparable desires, or with whatever cannabis-laced edible is easiest to ingest."

The short work above is an excerpt from a forthcoming collection of short fictions written in parallel to the legalization of marijuana in states such as Colorado (where I live most of the year) and Oregon (where I maintain an active studio practice during the summer). More excerpts forthcoming in other venues and media ...





Keywords: Colorado, marijuana, fiction, art, culture, literature

Wednesday, June 24, 2015

The Hawaii Effect: An Abecedary

The Hawaii Effect: An Abecedary

or

The Art of Being An Artist*


A loha
B ody
C reativity
D ynamism
E nergy
F ood
G iven
H allucination
I ntuition
J uggler (of Gravity)
K ailua
L aughter
M indfulness
N othingness
O cean
P ath
Q uery
R emix
S pirit
T echne
U ltraviolet
V ision
W alking
X M L (eXperiential mark-up language)
Y outhfulness
Z entropic


* anartist

Saturday, June 20, 2015

Silicon Beach (Coda)

Thursday, June 04, 2015

Silicon Beach 20

Thursday, May 28, 2015

Silicon Beach 19

Thursday, May 21, 2015

Silicon Beach 18

Thursday, May 14, 2015

Silicon Beach 17

Thursday, May 07, 2015

Silicon Beach 16